VIDEO: “Never No” – J. Pinder (feat. Dice)
The hi-defs for “Never No,” J. Pinder’s lead single from the upcoming Careless (Fin Records).
DOWNLOAD: “Never No” – J. Pinder (prod. by Kuddie Fresh)
Click image to D/L.
The first single from J. Pinder’s upcoming Careless, on Fin Records. Kuddie Fresh on the beat.
(Lifted from dirtedutch & firends.)
VIDEO: “Dream Killers” – J. Pinder (feat. Mistah Fab)
From J. Pinder’s upcoming Careless (Fin Records). I’d play this joint on my radio show.
DOWNLOAD: “Amazing” – Fatal Lucciauno (feat. J. Pinder, prod. by JakeOne)
Click image to D/L the track.
“Amazing” is the first single from Fatal Lucciauno’s next LP, Respect (dropping February 21). J. Pinder performs a guest shot and JakeOne handles the beat. In Seattle rap it doesn’t get much better than this.
VIDEO: “Go Far” – J. Pinder (dir. by Jon Augustavo)
The official video for the track, “Go Far,” off J. Pinder’s Code Red.
VIDEO: “Go Farther” – J. Pinder (dir. by Jon Augustavo)
SEA. ATL. NYC. Rainier Valley representative J. Pinder jet sets across the country and it’s all captured beautifully on film by Town videographer Jon Augustavo. Justin P. looks like a star, sounds like a star, moves like a star. It’s crazy these days how close stardom might seem given the internet’s means (of portraying you like one). Caught this extended clip on some other blogs yesterday, one of which tells me the MC has found his label home on Ballard’s Fin Records. J. Pinder’s musical fire has been a slow burn, which means it will be all the more rewarding for him when sh-t ignites for real.
DOWNLOAD: “Opus” – J. Pinder feat. Eighty4 Fly, Royce The Choice & Clemm Rishad
Click photo to D/L.
The SEA really lost one when South End native J. Pinder took his cerebral brand of street rap south to the ATL. Thankfully his connection to The Six remains tight-knit in his music. “Opus” is more of that quality life rap where Pinder emotes, but not in a corny fashion. Guest shots from fellow Seattleite Eighty4 Fly, South Sound move-maker Clemm Rishad and California son Royce The Choice. Kuddie Fresh’s soulful slap holds ‘em together.
VIDEO: “BFA Interview & Freestyle” – Detooz Films
Shout-out to Harry, founder of Detooz Films. Click on over for exclusive interviews with move-making Townfolk like JusMoni, J. Pinder and the T.I.T.S. Crew. The clip above is a nice-to-meet-you glimpse at Brothers From Another, one of 206UP.COM’s favorite local rap crews puttin’ in good work these days.
VIDEO: “All That Fire” – J. Pinder
J. Pinder prepares for a Code Red re-up (watch for ver. 2.0 coming 1.25.11) with another good look on the visuals. Beat courtesy of Jake One. Gas for the whip courtesy of the Valero station on Rainier. Makes me miss the South End. *Sigh*
206UP.COM’s Top 10 SEA Hip-Hop Albums of 2010
As a hip-hop and baseball obsessed youth, I constantly formulated Top 10 Lists. Athletes, shoes, songs, movies — if it was rate-able, I was Top 10′in it, practically weekly. This is probably why 206UP.COM’s year-end list is my favorite post to write. Last year I waxed not-so-poetically on how, in 2005, Seattle’s underground rap scene single-handedly renewed my faith in the music. This year my affinity for Town rap became even tighter knit.
The albums, songs, free downloads, and videos that originated strictly in Seattle were enough to keep my hip-hop appetite satisfied through the whole year. Not to say excellent new albums by nationally known artists (Big Boi, The Roots, Kanye West, etc.) weren’t heavy on my playlist, or that the underground movements in other cities weren’t relevant. It’s just that hip-hop in the 2-0-6 is so grown now, more than it’s ever been, and the voices, perspectives and spectrum of sounds in our Town are talented and diverse enough to keep my ears fully attuned.
While there were some glaring omissions in 2010 (the new Physics LP being the most significant, for me), there were some other big advancements and unexpected surprises:
The emergence of La (formerly known as Language Arts) as a force to be reckoned with (at least on wax). This cat blew through like a Northeaster on his two LP’s, Gravity and Roll With The Winners, spitting outlandish braggadocio unlike any other rapper in town.
Two career-defining performances by Blue Scholars. The first was at the Bowery Ballroom in New York City, which I wrote about, here. At this show, the Scholars proved to the hip-hop world that they could hang in the Mecca, legitimizing their voice on a whole new level. (Macklemore’s opening performance was definitely notable, too.) The other show folks were buzzing about was the City Arts music festival performance at The Paramount, the first time a local hip-hop group rocked the venerable theater’s stage. Blue Scholars made history, nationally and locally, with these two shows.
This year also saw artists better known for their previously established collaborative endeavors break out with successful new excursions. JFK and Onry Ozzborn both dropped excellent LP’s independent of their legendary Grayskul partnership — JFK on the straight-up solo tip and Onry Ozzborn in collaboration with Chi-town producer Zavala. RA Scion reinvented himself with his Victor Shade project with producer MTK. And Gabriel Teodros and Amos Miller connected in Brooklyn, forming the impromptu collab Air 2 A Bird after being rebuffed in London on the eve of their world tour.
But enough with the recap. The following list represents what 206UP.COM sees as the best Seattle hip-hop albums of the year. There was no real science to compiling the list and, when it comes down to it, these things are matters of pure conjecture, subject to debate and relentless criticism of the people who made them (which this blog always welcomes, by the way). Enjoy the list and Happy New Year!
Honorable mentions:
JFK – Building Wings on the Way Down
LaRue – Saturn Returns
Avatar Young Blaze – Russian Revolution Mixtape
10. State of the Artist – SeattleCaliFragilisticExtraHellaDopeness
The album equivalent of a 2-0-6 hip-hop houseparty, by design SeattleCal wasn’t exactly an official debut LP for State of the Artist, but a showcase for much of the talent in the city. The three SOTA emcees were consistently outshone by their guests and a lot of times the lyrics didn’t seem to make any sense. As strictly a party album, however, there wasn’t one better.
9. Victor Shade – Victor Shade
The re-birth of RA Scion as the rap superhero Victor Shade saw a major shift in musical tone, but not a dramatic change in delivery or aesthetic. RA’s lyrics are still dense as hell and require close examination on paper in order to understand their meaning. It all sounded great, however, over MTK’s knocking production. RA Scion (aka. Victor Shade) remains the most professorial battle rapper in Seattle.
8. Air 2 A Bird – Crow Hill
A soaring achievement considering the bare-bones tools Air 2 A Bird (Gabriel Teodros and Amos Miller) had to work with when making this album in Brooklyn. In its creation, Crow Hill captured the very essence of hip-hop: eloquent poetics, masterful improvisation and a revolutionary spirit (albeit on a quieter and more reserved scale). This album proves that hip-hop executed with class and panache can be just as effective as the bombastic variety.
7. La – Roll With The Winners
This “debut” album from the emcee formerly known as “Language Arts” featured expert throwback production by an unknown producer named Blu-Ray, whose heavy soul sampling sounds like The Alchemist on his most nostalgic day. The highlight, though, was La’s take-no-prisoners lyrical work. Hearing raw talent like this is akin to watching Allen Iverson play basketball for the first time. At this stage in his career La is still all fearless potential, but on paper he might already be the most technically sound rapper in the city.
6. Helladope – Helladope (aka Return to Planet Rock)
Helladope’s Tay Sean is far too young a cat to be making music with this much soul and expert tribute to the R&B and funk of yesteryear. Still, he accomplished the feat with ease. Along with emcee/vocalist Jerm, Helladope’s debut album offers a fresh take on the P-funk/G-funk rap amalgamation that originated in Southern California in the early 90’s. The sound is updated here with extraterrestrial gimmickry that amuses but isn’t essential to the album’s vibe.
5. J. Pinder – Code Red EP
This star-studded EP by Seattle ex-pat J. Pinder had a professional sheen equal to most major label releases. And it was free, to boot. Unsurprisingly, the folks who built the foundation of Code Red are either consummate hip-hop professionals or quickly on their way: Vitamin D, Jake One and Kuddie Fresh, among others. Pinder’s easy flow and accessible subject matter made this album easy to ride for.
4. Dark Time Sunshine – Vessel
Vessel exists in the same category as the number two album on this list, The Stimulus Package. The lyrical work is quintessential Onry Ozzborn (here reborn as Cape Cowen) but the production is a masterful concoction of headphone-oriented beats that only a cold soul from Chicago could assemble. Producer Zavala cultivates a terrain of rich electronica that feels organic, as if grown and harvested with the precision of robot farmers. The most sonically progressive SEA hip-hop album this side of Shabazz Palaces’ 2009 masterpiece.
3. Jake One & Freeway – The Stimulus Package
At first consideration it seemed strange to include this release featuring an emcee so deeply associated with the city of Philadelphia. Fifty percent of the album artist credit is from Seattle though so how could it be excluded? The obvious truth is Jake One had as much (if not more) to do with the quality of The Stimulus Package as Freeway. Jake has a knack for creating fresh ideas while staying inside the bounds of traditional boom-bap. Stimulus is his best and most cohesive collection of beats, ever.
2. Candidt – Sweatsuit & Churchshoes
Candidt’s long-delayed Sweatsuit & Churchshoes is a refreshing and dynamic package of West Coast B-boy rap. Every local young buck in the game should take this album as the new hip-hop gospel for the way it connects Old School and New. Candidt doesn’t sound like anyone else in the city and his willingness to experiment with new sounds while keeping strict West Coast principles earns SS&CS major props.
1. Def Dee & La (fka. Language Arts) – Gravity
Producer Def Dee caught lightning in a bottle with his masterful production work on this album. Gravity pays direct tribute to NYC Golden Era boom-bap and is unapologetic in its revivalist ideology. It also manages to sound fresh and timeless, however, and is the most musically cohesive album of these ten. Emcee La officially established himself as one of the best rappers in the city. He plays it cooler than on his proper solo debut, Roll With The Winners, but that’s because the music requires him to. Gravity stands firmly to the side of Seattle’s so-called “Third Wave hip-hop,” a position that’s especially important to the purist set. All the current innovation in local rap is a great thing, but so is the creation of more traditional forms like Gravity. It reminds everyone that hip-hop made in our isolated corner of the map is inextricably linked to the region of its genesis.
VIDEO: “Upside Down” – J. Pinder
Maybe it’s all in my head, but when local emcees go ex-pat from The Six and I hear them again later after so doing, their voices sound much bigger than our humble hamlet. Like our area code can’t contain ‘em anymore. Such is the case for J. Pinder, whose transition to the ATL has left the SEA feeling a little colder this winter.
Check the new video, “Upside Down,” directed by Jon Augustavo.
DOWNLOAD: 4 New Tracks From J. Pinder
206UP.COM wishes the best of luck to Rainier Beach homie J. Pinder as he pursues even brighter lights and bigger stages in the ATL. Pinder leaving town was a damn shame, not only because his was a unique and talented voice in the Seattle rap community, but because he seems to be just hitting his stride as an artist. The Code Red EP had a professional sheen that made it stand out from most other albums in the local crowd.
Even these four unreleased joints sound like an artist destined for fans far beyond the Puget Sound waters. Listen (that’s right — 206UP.COM is finally streaming tracks for your immediate listening pleasure!) and download for free over at freshndef.com.
VIDEO: “Three Words” (J. Pinder)
Some slick accompanying visuals for J. Pinder’s ode to the L-word. Download the Code Red EP for free here.
(Directed by Jon Augustavo.)
DOWNLOAD: “Sky Is Falling” (J. Pinder f/Choklate)
Blessed by Kuddie Fresh (on the boards) and Choklate (on the hook), J. Pinder jumps into a half-empty glass on “Sky Is Falling”. It ain’t all bad, J, your Code Red EP is still hot and the Seattle weather is looking up!
Click here to download “Sky Is Falling” (courtesy Raindrophustla).
REVIEW: “Code Red EP” (J. Pinder)
The Code Red EP is available for FREE download. Click here or the album covers below for the link.
The Code Red EP should probably be considered J. Pinder’s first official entry into the local rap game. The previously released Backpack Wax Mixtape served to introduce folks to the South End rhymer, and it was an unarguably excellent collection of scatter-shot beats and bars. Ultimately, however, it was exactly what it says it was: a mixtape; and thus lacked a coherence that effectively established J. Pinder’s particular identity. The Code Red EP achieves this with a self-assured nonchalance perfectly befitting this emcee.
The first thing you’ll notice is the production and guest shot lineups. Code Red is full of heavy-hitters like Jake One, Vitamin D, and Kuddie Fresh on beats, and established rappers Big Pooh and Guilty Simpson on feature bars. Because of the serious industry weight behind this brief eight-track collection, it sparkles with a certain professionally-applied sheen that we haven’t seen the likes of on any 2010 local releases.
This isn’t to say Code Red is all style and no substance. Quite the contrary. J. Pinder’s subject matter is categorically street-oriented, but ultimately trends toward that most complex of emotions dealt with by people from all walks of life: l-o-v-e. This album is really all about love. Love for your community, love for hip-hop music, love of self, love for your chick, love for your family, etc. There’s even a song about how dangerous and frightening it is to say, “I love you” (“Three Words”). A lack of love is generally the fundamental cause of society’s woes and J. Pinder understands that condition. Code Red is remarkable because the message is delivered in a grown-ass way, never preachy or holier-than-thou, just through observation and down-to-earth real talk.
If there is one knock on J. Pinder, it might be his rhyme style. While he has a knack for never wasting a word, the dude is so unassuming in his flow that he veers dangerously close to sounding indifferent. Not surprisingly, the best tracks on the album are those where he increases emotional effusion. “No Turnin Back” is a track so heavy and thick, it sounds like Vitamin D built it with bricks, concrete and asphalt. It’s about the dangers of losing positive focus when surrounded by so much negativity and J. Pinder gives a great vocal performance. A couple listens are required to appreciate how subtly he shifts from his normal casual breeziness to sounding downright icy. That he’s capable of carrying a track with so much audible weight is a great sign for his future.
Free EP’s are often crafted with the intention of building momentum for a full-length album. Occasionally they also succeed in standing alone on their own merits, as fully-realized collections of songs representing a concept or a brief statement of the artist’s general philosophy. Code Red is similar to The Physics’ 2009 High Society, two extended players that achieved multiple artistic objectives with relative ease. J. Pinder has deftly built an album good enough to capture listeners’ ears today and convincing enough that he’s worthy of following tomorrow.
DOWNLOAD: “Code Red EP” (J. Pinder)
206UP.COM will offer a review of J. Pinder’s new Code Red EP soon, but for now ya’ll should know this young rapper on the cusp has graduated beyond the mixtape heroics of the past few years, and into the realm of substantial artistic presence in the local movement. Code Red is even better than advertised. Click here or below for the free download link.
DOWNLOAD: “Go Far” (J. Pinder)
Looking forward to the J. Pinder Code Red EP FREE drop on 4.9.10. 2Dopeboyz leaked this advance track, “Go Far” over the weekend. Mixtape-hero Pinder tells cats to go get it. “It” being your dreams. Proper advice, homie. Click here or below for the D/L link (courtesy 2Dopeboyz).
DOWNLOAD: “Later On” (J. Pinder f/Big Pooh & Bruce)
A great look from J. Pinder. “Later On” is a breezy ode to l-o-v-e, just in time for Seattle’s early Spring weather. Click here or below to download.
New York is Where I Reside But Seattle is My Home
Full disclosure: I live in New York City.
Some of you had probably already gleaned that from previous blog posts (like the one with a fuzzy camera phone photo of Jay-Z, taken near a subway stop that I frequently use), and some of you know from our interactions on Twitter or email. The fact that I live approximately 2,600 miles away from the 206 puts me at a major disadvantage when it comes to getting a proper and accurate feel for all of this recent Town movement. I miss all of the shows. I never get to interact with any of the artists in person. I have a hard time copping the latest releases — sometimes I practically have to beg rappers to send me their new sh*t. (Which reminds me: I owe a huge THANK YOU to all of those folks who’ve provided me with music. You will never know how much I appreciate it. And by the way, keep it coming please!)
On the other hand, living in NY does give me an interesting perspective when it comes to how Seattle’s hip-hop community compares to other cities. For example, not surprisingly the hip-hop scene in New York is incredibly vast and wide. You can’t even begin to absorb all of it, especially if your desire is to actually feel it. (Okay, I’m speaking for myself. I’m a true fan of the music, but I’m like most normal folks, my nine-to-five is not associated with hip-hop and the time I spend listening to music is in constant competition with the time I want to spend reading a book, or going to the movies, or a museum, or doing one of the millions of things there are to do in this city.) A hip-hop head in New York really has to pick and choose what specific artists and styles to pay attention to. It’s intimidating and, to be honest, I’ve mostly ignored it. I’m too busy with Seattle sh*t. There’s enough going on in our humble little town to satisfy the most carnivorous of listeners. Plus it keeps me connected to the city where my heart truly lies.
The irony of all this is that when I’m out visiting family and friends in the Northwest — as I was last week — those are the moments when I’m paying the least amount of attention to hip-hop. Time is so scarce during those short visits. Aside from having it on constant rotation on my iPod (as is the case no matter where my feet touch the ground), I didn’t have time to catch any shows and, as you probably noticed, didn’t write even a single post during the seven days I was in town. It’s kinda messed up, really. And so, I think the universe was trying to tell me something when it just so happened that, on Tuesday, I ended up on the same airporter shuttle bus from the Anacortes ferry terminal to Seatac, with none other than the homie Vitamin D who, like me, was also heading back to The Six after a weekend in the San Juan Islands. (Vita: I shoulda hollered at you, dude! Next time, I promise!) Now this may sound particularly corny, but it meant a lot to me for two reasons: (1) Vita is one of the true OGs of Seattle hip-hop. He’s been a trendsetter, a waymaker, and any other appropriately hyperbolic adjective one can find to describe his influence on rap and r&b in the 206. He deserves the props and anyone who knows anything about Town music would agree. Which is why (2) I found it particularly dope that he had been spending time in the San Juans, the place where I grew up, came of age, and, through interesting twists of musical fate, came to love hip-hop music. (See, I told you I was gonna get corny! Whatever, I could give a f*ck what you think, ha!)
Running into Vita in a seemingly totally random place like that brought me back around to what I think is the greatest thing about the current movement in Seattle. It’s so small. Tight-knit. Intimate, even. A real community. I’ve said before that Seattle is a great place to be a rapper these days because it’s one of the least-marginalized hip-hop communities in the country. From the constant collaborations, diversity of acts at the shows, to the online Twitter chatter (it’s like a virtual fraternity house). I’m sure that beef exists (Geo: “In a town not big enough for egos to breathe…Twisted, crab-in-a-barrel existence…”), but for the most part, it seems to be all L.O.V.E.
New York is the birthplace and eternal capital city of hip-hop. Have you ever paid attention to the little monologue Spaceman gives on the joint with J. Pinder (“SXSW/CMJ”) where he talks about how overwhelming it was to be an up-and-coming rapper from the 206, standing in the famous club, SOB’s, during CMJ? That’s how culturally ingrained hip-hop is in New York. It’s one of the city’s many touchstones. An institution. A feeling, even. There’s no other city where you can go see The Roots perform every f*cking Tuesday night! Or go to a random free screening of an independently-produced hip-hop documentary at Columbia University and end up standing at a urinal next to Talib Kweli (that sh*t happened to me!). I saw motherf*cking Jay-Z shooting a clip for “Empire State of Mind,” guerrilla-style, on my way to the subway! Through pure chance, I even ended up working at a non-profit organization that helped landmark 1520 Sedgwick Avenue in the South Bronx as “The Birthplace of Hip-Hop” (see here and here). Hip-hop is the musical heartbeat of daily life in NY, and from a cultural standpoint, it will never be matched. But Seattle, man. DAMN. Our movement is young. Fresh. As optimistic as a box of baby rabbits. We still don’t know how high these artists will fly. Keep doin’ your thing. I’m looking forward to the day I come back and get to participate on an even deeper level.
Everything I Needed to Know…
…I learned in Pindergarten?
206 mixtape hero, J. Pinder released this nice little collection of material, the Pindergarten Mix, late yesterday. Some material is familiar to this blogger, some not. Download for FREE here. A nice addition to my (and your) collection.
Now, where’s that proper Pinder solo LP??
Recession-Proof Pinder (This Song’s Free!)
Download “Untitled” by J. Pinder featuring Spaceman, here.
I like this track. Kuddie Fresh keeps the production laid-back and lets Pinder and Space do their thing. It’s a nice showcase for these talented emcees.
