AUDIO: Rich Off Mackin – RJ & Choice

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The shortest distance between relative obscurity and the front page of Complex is a “Mustard on the beat, ho” audio watermark. Seattle’s Royce The Choice — simply “Choice” nowadays — hopped on Dijon’s 10 Summer label last year, popping up in a few spots on the (nearly) eponymous compilation record, 10 Summers.

Now, Choice has a mixtape to call his own: Rich Off Mackin. Okay, make that a co-mixtape; he shares rapping duties with Pushaz Ink recording artist RJ. It’s a moderately enjoyable party record, turnt and disrespectful in all the right places. And Choice shines in comparison to RJ, a rapper with dexterity but not much in the way of personality.

Of course 206UP prefers Choice before he dropped the “Royce The.” His concept album, Razorr Ramone with fellow Town native GMK, revealed Choice to be a big personality on the mic, conversational and casual, a bit like an updated version of Shock G less the kitsch and with added danger.

In any case, it’s dope that yet another Seattle MC is finding shine prominently outside of the area code, but disheartening as well because whenever you hitch your wagon to an already well-entrenched team there’s bound to be some diminished creative returns.

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AUDIO: Grand Theft OTOW – KA.lil

Kalil - Grand Theft OTOW

OTOW Gang’s fearless leader KA.lil fronts this mixtape collection of tracks recorded over the course of the last three years. Fellow Operation Take Over the World crew members Massiah, Uce Wayne and Mic Flont reveal their West Coast rap affinities over a range of beats produced both in-house and jacked from classic source material. For our money the win goes to Massiah for his head-ringing “Crazy Asian Rapper Pt. 3” which does well in subverting the “all Asians are well-behaved” stereotype bolstered by racist-ass white people everywhere. Do you, bruh.

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VIDEO: “Sick & Tired” – BenadriLL

In which Lakehouse Ent’s BenadriLL travels to Sin City, only to find his first show in the 702 is cancelled. In true Lakehouse fashion, he makes the most of a crummy situation. “Sick & Tired” can be found on Ben’s latest, Under The Table.

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AUDIO: Wheels Up – Kublakai

Kubi - Wheels Up

Underground rap hero Kublakai has a new EP out called Wheels Up. It is, by far, his most personal piece of work and, probably not incidentally, his best.

Over the course of nearly a decade, the rapper has become proficient at riding a beat — technically he’s on par with the best in town, dropping earnest bars that fall in line with the Grieves and Macklemores of the region. He does similar things lyrically on Wheels Up, but the difference here is that nothing sounds forced. In the past, some of Kubi’s Golden Era-influenced boom-bap was formulaic: one part 16 struggle bars, one part break beat, one part sticky hook.

It was his fun-loving persona, sense of humor and outright dedication to the hip-hop craft that kept Kubi from sinking to the middle of the backpacker pack. Not to say 206UP doesn’t fuck with the classic formula, but things were generally predictable, musically, when it came to a new Kublakai joint.

With Wheels Up, the MC allows his affinity for jazz to rise more prominently to the surface. It shows in the freewheeling nature of “Moan” (named for the artist’s all-time favorite song, “Moanin’,” by Charles Mingus). Likewise, the vibe on the standout party starter “Morning Light” is looser. Kub’s still in the pocket, but he’s letting out — emotionally, physically — more than he’s drawing in. Call this his Waiting to Exhale moment.

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AUDIO: Under The Sea – Keyboard Kid

Keyboard Kid - Under The Sea

The Thraxxhouse collective finished off 2014 with a roundhouse of dank, nocturnal uppercuts. Listening to these releases feels like being gently knocked in the head by a brick wrapped in hot wet towels and fragrant lemon peels. Check the turnt somnambulance of Keyboard Kid’s Under The Sea.

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AUDIO: Cognitive Dissonance: Part 2 – Raz Simone

Raz Simone - CDP2

You’ve probably seen Raz Simone lighting up this and other online outlets with his song drops over the course of the last ten weeks. It all culminated yesterday with the official free release of his Cognitive Dissonance: Part 2, the sequel to last year’s initial foray into a major label partnership with Lyor Cohen’s 300 Entertainment.

Taken in its entirety, CD2 makes for an even greater cinematic listening experience than its predecessor. Things sound a little bleaker this time around. The record finds Raz holding more folks at arms length, and he’s often acting out with impunity against enemies both real and perceived. Might this have something to do with hard lessons learned in the proverbial rap game?

Maybe; maybe not. As with hip-hop’s other great narrators, sometimes the most formidable enemy is the one encountered within, and Raz’s greatest asset as a writer remains his ability to remain brutally honest not only with his audience, but himself. His dedicated Black Umbrella family (that would be Sam Lachow, producer Jake Crocker, and a grip of other behind-the-scenes capos) is also on hand to provide backup.

Stream Cognitive Dissonance: Part 2 below, or grab the download here.

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AUDIO: “Thanks For Asking (Won’t Get Fined Remix)” – Spekulation (feat. Marshawn Lynch)

Spek - Thanks for Asking

Consider these the motions then…

Again, from the region of socked-in cloud cover, emerge heroes bedecked in blue and green,

Statements of purpose made in bygone Roman procession (XLVIII).

The royal legion. The taciturn pivot-er.

If insanity is the repetition of action with recapitulated stead, then let us suffer again as ignoramuses,

Of Spekulation and Marshawn. Of Seahawks and Champions.

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AUDIO: Sirens – 88 Ultra

88 Ultra - Sirens

88 Ultra (also known as Kingston) is one half of production duo Blue Sky Black Death, the outfit responsible for some of Seattle’s most memorable hip-hop of late (see: Nacho Picasso). BSBD has a knack for churning out atmospheric and nefarious digital soundscapes, building off certain on-trend production values in a way that channels the oft gothic-like cloud cover of the Pacific Northwest. Sirens continues in that mode albeit reigned by 88’s hazy sensibilities alone.

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