
Jarv Dee, Mackned and Cam The Mac float through the trap like Moor Gang holy ghosts. “Don’t Know The Gods” is a taste of Jarv’s upcoming Satellites, Swishers and Spaceships.

Jarv Dee, Mackned and Cam The Mac float through the trap like Moor Gang holy ghosts. “Don’t Know The Gods” is a taste of Jarv’s upcoming Satellites, Swishers and Spaceships.

You probably last heard singer Paolo Escobar lending his vocal chops to Spekulation’s triumphant Town anthem “Home of the Mighty.” Now, Paolo goes for dolo on his new single “Get Gone,” which features production work from Spek and a wicked drum and horn arrangement courtesy of Saba Samakar and Nate Omdal, respectively. “Get Gone” bops along with an economy of catchiness familiar to fans of producers like Mark Ronson.

Came through late on this joint, but shout-out to D Valley for sending the press anyway. “If You Want It” features Philadelphia stalwart Freeway and the Bay Area’s late, great The Jacka. Street rap touches down in all corners of AmeriKKKA and it’s dope to see Seattle as an origination point. From D’s Live From The Hood Vol. 3.

Raz Simone with yet another drop: “That Ain’t Love” finds the rapper imploring motherfuckers to start acting right. Tacoma’s Leezy Soprano and the renowned King Push splatter venom all over the trap, too. If you’re down in Austin this week, watch for Raz and his bandmates roving around SxSW in a solar-powered bus. No joke.

You ever wake up in the morning, take a good long hard look in the mirror and think, Good got-damn that is one sexy-ass motherfucker? Self-worship to the nth degree on Raz Simone’s “Baby Jesus,” from the upcoming album of the same name (due April 7). Raz takes no days off and never has a bad hair day.

The Flavr Blue inhabit the spirit of DJ Mustard on “Pretty Girl,” a new single from the trio featuring Oakland’s YMTK (Young Murph The Kid). The recipe here is simple — bounce + synth + four-note key progression — but the result is resplendent like the late afternoon sun setting on the Pacific.
New Yorkers: Catch The Flavr Blue’s DJ gig at Brooklyn Bowl, April 10.

206UP extends our reach into the South Sound region and into the realm of electro-power pop with Vicci Martinez’s latest track, “Unleashed.” This is the third release from the former The Voice contestant’s collaborative project with fellow Tacoma artists Enter-Exit-Stay. My recent listening habits have trended deep into radio-friendly territory and this track scratches that itch and then some.

Spekulation samples local indie rock hero Prom Queen for his latest treatise on America’s assortment of fucked-up scenarios. “Only You” is depressing, but seductively so.

Black Magic Noize and Filthy Fingers United cohort Araless dropped a beat tape, Filthy Digits, which is a compilation of his instrumentals produced in conjunction with FFU. Aspiring rappers, go in.

“Highly anticipated” is a hyperbolic phrase that gets thrown around too often, much like “hottest rapper in the game” and “New England Patriots dynasty.”
The Cigar Room, Neema’s (ahem) highly anticipated album with producer Keyboard Kid, has simmered somewhere on a hard drive for a long enough stretch of time that the street’s anticipation for the conspicuously missing album has come in, out and back in fashion like a pair of acid washed jeans. So the phrase is still apropos, especially on the proverbial eve of the record actually hitting pavement via an appropriately provincial debut at The Jet Bar & Grill in Mill Creek tonight (which also serves as the kick-off of a regional mini-tour). The online release via iTunes is set to happen in a week.
Score one for the slow rap movement*.
We’re especially happy over here at 206UP because Mr. 10K himself has graciously allowed us to premier the latest single from The Cigar Room: “SuperSonic Keyboard” which features guest shots from fellow Seattle rap populists Grynch and Prometheus Brown. This track finds the three posted up in the backroom, preferred carnal delights being enjoyed by the respective rappers: a surprise striptease for Neema, open flask for Pro Brown, and bitch-slaps for subpar MCs trading in his style for the King of Ballard. It’s all adorned with additional vocals by Latin Rose and J Landis, and Keyboard Kid’s reclined production, which vaguely references the best R&B stylings of the mid-’90s. Smoke one, as they say.
UPDATE (11:21 AM PST): Catch Neema answering questions on the Hip-Hop Heads Northwest Reddit board #AMA today at 4 PM PST.
“SuperSonic Keyboard” – Neema (feat. Grynch & Prometheus Brown; prod. by Keyboard Kid):

*I may or may not have just coined this phrase. Shout-out to the slow food movement for the inspiration.