Blog favorite Yirim Seck with a new video for his track “And 1 (Won)” from last year’s excellent Audio D’oeuvres.
Blog favorite Yirim Seck with a new video for his track “And 1 (Won)” from last year’s excellent Audio D’oeuvres.
Seattle to Queens transplant Aaron Cohen preps the release of his clique’s mixtape, the self-titled Inner City Kids (due this fall), by pushing the limits of good taste and violating a couple dozen NYC building codes in his new clip for “Young Casanovas,” featuring teammate ABGOHARD.
Romaro Franceswa is one of the illest young MCs around Town. Hailing from just south of Seattle and representing BeanOne’s Yukmob label, his new Live From The Soufside is a document of the rapper’s life and times in Federal Way; think a sort of good kid m.A.A.d city for “that town you have to drive through to get to Tacoma.” Preview the moody, bumping EP below and check out his video for “The Big Payback,” which was released back in April and appears on Romaro’s debut LP, Black King.
This “BOSSA” clip from ILLFIGHTYOU’s UGLYFRANK is essential to his steez. Released in late July excuse me while I play catch-up here. Stephan Gray behind the lens.
Shabazz Palaces yet again plumb the depths of the phantasmic in their dizzying, rarefied new music video for “#CAKE,” directed by Hiro Murai. Go get SP’s essential new Lese Majesty, here.
206UP has been off it’s regularly scheduled programming for a minute while we gear up to release our Top 15 Seattle Hip-Hop Albums of the last five years (2009-14). It’s coming soon, I promise — just need to collect the last few envelopes of cash from these thirsty rappers. You’d never believe how hard it is to extract payola these days what with our every financial move being monitored and recorded for perpetuity.
I’m totally fucking kidding, by the way. (Or am I? …)
Anyway, the state of the world is … Well, I really have no words other than to say I can’t remember the last time I’ve felt such a range of emotions just from observing the 24-hour news cycle. There is so much pain and anger and risible sentiments of all types, it’s hard to muster the energy — or the desire — to celebrate anything. Spekulation’s Seattle-centric anthem “Home Of The Mighty” feels like the right song at the right time. It’s a poignant encapsulation of all the good and the bad, the dark and the light, that our fair city — and this country’s urban centers in general — are capable of producing. Last weekend, my wife and I watched The Birdcage, which was one of those familiar acts of celebration and lamentation we find ourselves participating in whenever a pop culture icon passes. We laughed our assess off, nearly to the point of tears, and it was interesting to consider where those fissures in composure were originating. The images in the video for “Home Of The Mighty” wrests similar feedback: alternating pangs of exuberance and regret over what the Town has wrought. You’d have to be an android not to feel it too.
Quick shot to the dome from the 96 Pickup collective, vintage rap revivalists that includes, among others, producer Def Dee and rapper Alca who flash “Ultra Violet” in advance of Def’s upcoming LP which is due in September.
Your official 2014 Seattle Summer Anthem is “Action Figures” by Sam Lachow, from his forthcoming Huckleberry.
“Promise Me” is the first single from The Good Sin’s Life Before which dropped earlier in the week. This is a smart, nuanced look at the changes we all go through and how our romantic relationships are affected.
Tacoma’s Rockwell Powers and DJ Phinisey make great music with a humanist spirit. Their Build is important hip-hop from the South Sound; the clip for “Alive” was directed by Peter Berkley of The Art Dept.