Directed by Jason Reid, Sonicsgate is an in-depth look at the drama surrounding the purchase and subsequent departure of our beloved Supersonics. Using similar tactics as other agenda-progressing documentarians, Reid appeals to the emotions of folks like author Sherman Alexie (one of the film’s prominent subjects), fans whose main source of proverbial sunlight during the dreary 206 winters was the promise of 82 games of Sonics basketball. The film’s lengthy, but if you have any interest whatsoever in what went down, it’s a must-see. It features an impressive group of interviews (including Gary Payton, George Karl, various former Sonics players, and City and State politicians), and the soundtrack is a who’s who in the world of Seattle hip-hop.
Category: Video
VIDEO: “Belhaven Meridian” (Shabazz Palaces)
Shabazz Palaces is on some next-level ish. Literally.
See also: Killer of Sheep. See also: shabazzpalaces.com.
And have patience, time will reveal more…
D. Black Pumps The Positivity
D. Black was featured on KING 5 evening news tonight. Watch the video here. (It’s funny hearing Dennis Bounds say, “Sportn’ Life records”. Don’t ask me why, it just is.)
UPDATE (10.8.09, 11:26am):
I just watched this clip again. While it’s great to see D. Black get some much-deserved local shine, this piece still unnerved me. Some things to consider:
1) Why did the reporter find it necessary to note that D. Black (an African-American man of notable physical proportion) was a former captain of the football team at Rainer Beach High School? Could it be because folks in Seattle still continue to base their perception of young black males on their athletic achievements at schools like RBHS? If Black were white, a member of a successful local indie rock band, and an alum of Sammamish High School, would they have also felt compelled to note he ran cross-country?
2) When the older photo of Black is shown, accompanied by a track from The Cause & Effect, the reporter’s voice takes a distinctly harsh tone, saying gravely, “But that positive message wasn’t always the case. This was Black a few years ago, spewing the standard rap line of money and fame.” It’s okay to prefer that D. Black be on a happier vibe, making music that can be played around children, uplifting his community, finding God, etc. There’s nothing inherently wrong with that. Those are good things. But to subtly suggest that one version of Black’s music has more value than the other, without dialogue as to why, only serves to unfairly marginalize the gangsta rap image without exploring why that image has come to exist.
It’s pretty clear KING 5 likes the “new” D. Black. The irony is that the “old” D. Black still exists in some form. The memories and scars from a difficult past don’t just go away. The producers of this piece conveniently gloss over that history. It’s a shame, but not a surprise.
But, I Like All Those Things…
…which is exactly why the clip is effective:
Props to Ryan Lewis, Macklemore, and the other participants for the vision.
This About Sums Up “No Homo” For Me
“No Homo” is just another crude form of bigotry. Thank god its departure from the hip-hop lexicon seems imminent.
Champagne Champagne’s Funky Car Ride
Okay, fellas, I’m sold. Got me stuck off the realness from this sh*t (click on the picture for the vid):
This car ride reminded me of those times so long ago when my friends and I used to roll around in my busted-ass Jetta. Of course, we were far less-talented rappers. In fact, we weren’t rappers, just some dorky and naive country kids imagining what it would be like if we lived in Compton. How times have changed.
VIDEO: “Adult Swim” (GMK)
Here’s the story/Of a man named Golden…
(That’s a Brady Bunch reference in case you didn’t catch it.)
I Know You’ve All Seen This By Now…
…but I’m just sayin’, the commercial might be hotter than BP3 itself…
D. Black Is For The Children (For Real, Though)
D. Black’s sophomore album, Ali’Yah, is set to drop on 9.15.09. News of the release has gained a huge amount of traction around Seattle these days, and not just because folks are excited to see what this immensely talented emcee will bring forth on his second solo LP.
All indications from people who have heard the album say that it represents a true artistic advancement, not just in the music, but in Damien Black the person. The loyal folks at Seattle Show Gal caught up with Black outside the invite-only listening party last month where he spoke briefly on his life and music.
Sounds to me like D. Black has consciously made a decision to make music that you might actually play for your kids, something with which to big-up young people and their community. That’s real talk — I can’t wait to hear it.
As always, your faithful 206-UP! reviewer will be back with his thoughts.

