The Pacific Northwest region is blessed with landscapes that run the gamut in natural diversity. Curiously enough, however, local rappers don’t mine the majestic scenery for everything they could when it comes to their music videos.

Young Ju-Ju Twist and his director Jacob Hill saw the similarities in Seattle’s urban landscape and its neighboring mountainous terrain to the east (or west). The dual cinematography in “Diary of Twizzy” is both synchronous and at odds with each other. If the endgame for Ju-Ju is stardom in the music world, how different is that feral deer wandering through the frame from the anonymous coattail rider bouncing up and down on stage?