Blessed With the Beats in Summer ’09

Soon as I figure out how to install the Twitter widget on the blog, I’ll post it up. For now, though, here’s the announcement, direct from Prometheus Brown (aka Geo, aka Geologic, aka the emcee 1/2 of Seattle’s favored hip-hop sons, Blue Scholars) on their forthcoming EP, OOF!.

And I quote: “Plotting the OOF! EP Campaign. Official announcement coming soon but I’ll tell yall now: it’s dropping Aug. 25!”

The Physics, Grynch, and Blue Scholars all dropping new EPs this summer? I’m ‘a hafta ride around for days just to have enough time to bump all this sh*t. Mom, I need more gas money for the Caravan!

For now though, I’ll just take a stroll down “The Ave” (Memorial Stadium, Bumbershoot 2006, opening for Kanye — who was completely wack in concert that night, by the way):

Video Views From the Peanut Gallery

REVIEW: Chemistry EP (Grynch)

FrontGrynch’s still young career has been one of slow progression. On his debut album, This is What I do, the Ballard emcee unsuspectingly blazed onto the 206 hip-hop scene with an undeniable flow and knack for making solid, party-rocking hip-hop that sounded great bumped from your car on a hot summer day.

In subsequent releases including his latest EP, Chemistry, Grynch has taken a few steps forward in the complexity of his rhymes, but still not much has changed. His flow is still solid, his rhymes even more effortless and natural, and the beats are still big and sound great with the volume turned up loud. Grynch’s music is accessible West Coast hip-hop that should appeal to virtually everyone. So why do I still feel mostly underwhelmed?

Probably because the subject matter of Grynch’s rhymes remain fairly one-dimensional. He’s got the braggadocio down pat, which is always important in hip-hop. Emcees spend roughly 35% of their time listing the reasons why they are so dope. Grynch continues to follow this tradition on Chemistry.

He also remains focused on rhyming about his struggle in the game and the challenges he faces coming up. Again, it’s important subject matter, but the problem here is that Grynch is two full albums and two EPs in, and he’s still telling us about it. We’ve been knowing about the struggle, dude. It’s a little early to say it’s getting tired, but I often found myself tuning out the lyrics in favor of just listening to the beats.

And the beats, as on Grynch’s past releases, remain top-notch. They’re loud and full, and they sound great on headphones with good bass response. Standouts include the title track, which is an absolute Grade-A banger featuring One Be Lo and “A Dream Undeferred” the emcee’s altered take on the Langston Hughes poem.

Chemistry feels like a big release because it features the likes of One Be Lo and Seattle hip-hop royalty RA Scion and Geologic (and their cameos don’t disappoint). Unfortunately, however, Grynch just hasn’t taken that big step forward lyrically. He can rock a party better than most and the fact that he generally sounds incredible doing it allows him to get away with the repetition in his lyrics. Eventually, however, Grynch needs to show us more in order to stay relevant.Back

Album Reviews

Hello 206 World!

seattle graf starbucksFramework already said it on his classic debut, Hello World, but here I am saying it again to everyone in the 206 (and beyond) who just loves good hip-hop music.

First off, let me state that I am NOT a member of the local media. I don’t write for the Times, P.I., Stranger, Weekly, Seattle Sound, or any other publication out of the greater Puget Sound area. I AM JUST A FAN from the 206 (actually 360, originally) who appreciates good hip-hop music and who’s only desire is to share my thoughts with the reading public. (Ya’ll do still read, right? Like Geo said, “If you got time to take a sh*t, then you got time to read a book…” — or a blog!)

Secondly, I should also say that I have exactly ZERO personal relationships with any members of the professional Seattle hip-hop community. The extent of my relationship with Seattle emcees or producers goes as far as an occasional dap or a pound with a few favored artists outside of a venue. I don’t rap, I don’t produce, I don’t break. I don’t even put my lame-ass tag up on buildings with a black magic marker.

You may be asking yourself, how does this fool think he’s qualified to write about this sh*t then? Well, my friend, that’s the beauty of hip-hop culture. ANYone can participate. Folks like me who don’t have a musical bone in their body participate by listening and appreciating the message. You’ve seen it at shows. That dorky-looking white dude from Bellevue raising his fist in the front row at the Dyme Def concert? He’s participating. The dreadlocked homie from the Central bouncing his ass up and down at the Khingz show? He’s participating.

Hip-hop fans come in all shapes and sizes. The beauty lies in the fact that when a few thousand heads get to nodding to the beat, we are united in the rhythm. And when the music is turned down and people start talking, we have something to relate to. We might even learn a thing or two from each other.

That, my friends, is the power of hip-hop. This blog is my personal tribute to the culture and the spirit it creates. Enjoy!

Views From the Peanut Gallery