THE SIX is a regular Q&A feature on 206UP with a simple format: One member of the local hip-hop community and six questions. For past editions click here.
Rapper Shelton Harris and his production partner Tyler Dopps made names for themselves on the strength of their 2013 five song EP The Fresh Start, a collection of glimmering, accomplished pop-rap anthems that belied the young ages of its creators. Dopps has a knack for looping addictive melodies over clean boom-bap and Harris is an efficient MC who rarely wastes a word, making beelines to raps-about-raps and the subject of being young and hungry while trying to come up in “the game.”
Their full-length debut album Lights — originally due last summer — is seeing its finishing touches added while a young and eager Seattle fan base, weaned on Macklemore and little else, awaits. Shelton and Tyler seem to be carrying the proverbial banner for a new local wave of positive, self-reflective hip-hop borne from the confessionals of Aubrey Drake Graham and the all-inclusiveness of Ben Haggerty.
Shelton’s popularity is an exciting new development that runs counter to the early aught backpack leanings of Seattle hip-hop artists (now entering their mid-30s and beyond) who helped nurture a devoted underground following. Shelton’s brand is also an alternative to the cloaked, substance-driven art-rap of movements like Thraxxhouse and Underworld Dust Funk, crews of a similar generation but whose points-of-view reflect a sort of updated streetwise version of Seattle’s grunge ethos of the early ’90s.
All of this adds up to a more balanced range of hip-hop in Seattle, a sign that the local scene is becoming even more of a microcosmic version of the greater hip-hop landscape in general — it takes all types, we say. Shelton Harris took time to hop on this week’s edition of THE SIX. Hit the jump for more.