Mad Rad has evolved into Seattle’s most disruptive force in live music. Ask anyone who has worked security at the six Capitol Hill clubs from which the crew was temporarily banned in January of last year–or local multimedia authority Chase Jarvis, whose dinner spread the foursome nearly ruined during its performance turn at his Songs for Eating and Drinking event. At some point in the last two years, every major music venue in the city has been knocked on its ear as a result of Mad Rad’s antics, welcomed or not. The group has evolved into the easiest band to love or hate, depending on your tolerance level for the asinine. On its way to becoming King of Disruption, Mad Rad has also burgeoned a local following that borders on the rabid and created some of the most dynamic pop music Seattle has ever seen.
REVIEW: “The Youth Die Young” – Mad Rad
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