AUDIO: True Grit – Certified Outfit

Certified Outfit - True Grit

Certified Outfit are Church (rapper, producer) and Swindle (rapper), two Spokane natives who are currently based in Seattle. Their new EP, True Grit, is the latest in a long line of releases from the duo that rarely see shine on the local blogs. Certified have a relatively light digital footprint which means once removed outlets like 206UP (our editor-in-chief is New York-based, as you may know) must rely on trustworthy word-of-mouth conduits like underground media connect — and friend of the blog — Shao Sosa, who hipped us to the group.

True Grit is a testament to the craft of street rap, an indicator that a nuanced approach and very specific framework is always necessary to producing a worthy entry to the revered (and much maligned) sub-genre. This belies the nature of the music — at least on a superficial level — which is generally aggressive and willfully violent. Where True Grit succeeds — and I’m sure how Certified Outfit would emphatically describe themselves — is in its bullish, naked honesty. Here, veracity is not only a principle under which Certified operates, it’s a necessity.

The eight tracks on True Grit are hulking street anthems. Each moves at a deliberate pace with heavy keys, perfectly interpolated sample loops, and raps that claim painful histories while simultaneously seeking the proverbial light at the end of the tunnel. There’s also a melancholic soulfulness to many of these tracks which adds additional dimension and just the right amount of levity; Church and Swindle represent themselves as hardened street soldiers but you never get the sense they’re broken souls.

Stream True Grit below and watch the video for “So Real” below that.

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VIDEO: “Notorious” – Draze

Yesterday marked the 18th anniversary of the passing of Christopher Wallace, aka. the Notorious B.I.G. To reflect on the somber occasion, Seattle rapper Draze re-released his 2009 “mixtapemovie,” “Notorious,” which “samples” clips from the biopic of the same name and interpolates them as the visual accompaniment to an original track written and performed by Draze.

The song imagines an alternate universe where Biggie returns to New York to make amends and pay visits to past lovers, homies and business associates. Assuming the disembodied voice of one of rap music’s most beloved heroes is not a blithe task, but Draze musters the appropriate gravity. Watch “Notorious” below and watch for a new round of mixtapemovies from Draze this year, including “The Devil’s Advocate” which concerns one Kanye West.

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AUDIO: Macklemore Privilege & Chief On Keef Violence – Raz Simone

Raz Simone - MP&CKV front

Raz Simone - MP&CKV back

Raz Simone knocked the Seattle hip-hop world off its axis three weeks ago with the release of his song and video “Macklemore & Chief Keef.” Then the rising rapper continued to deliver body blows with three subsequent video releases that were equal parts incendiary and thought provoking. Now, what felt like a series of steam-blowing one-offs have actually culminated in a six-track EP which is available for free download today at DatPiff.

Macklemore Privilege & Chief On Keef Violence obliquely — and sometimes not so obliquely — addresses the tenuous relationship between a sacred hip-hop culture and the dispassionate valuation our free market economy applies to said culture. That Raz discusses these topics writ large within the context of the Seattle hip-hop community — calling out various local headliners by name, in some cases — makes this unexpected album especially pertinent. It’s already started a discussion which, hopefully, will continue in perpetuity.

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AUDIO: Manumission – Ronnie Dylan

Manumission2

Ronnie Dylan — the budding MC and collaborative partner with producer Jake Crocker (Black Umbrella, Raz Simone, Fatal Lucciauno) — probably couldn’t have picked a more loaded title for his new album: Manumission. In short, it means the act of a slave owner freeing his or her slaves. Rap music is full of superlatives, to be sure, but to adopt one with such baggage for what is only your second EP could be considered an exercise in imprudence and, quite honestly, bad taste.

Thankfully, Dylan brings a measured focus and an appropriately heavy hand to an album with such a title. The intent on Manumission is to subvert the traditionally held definition; to re-frame the act inside the context of how hip-hop music is crafted. For Dylan, that means with a transparent honesty which he feels is sorely lacking in the contemporary culture.

It’s difficult to imagine someone as young as Ronnie Dylan undergoing a spiritual hip-hop crisis like this, but it appears to be happening. Dylan is keen and sharp with the pen, one of his skills being the ability to write rhymes with nary a wasted word. He tackles real-world trials and tribulations like substance abuse, suburban ennui, absent parentage, and socioeconomic disparity with impressive poetic ease. The musical backdrops for Manumission‘s subject matter are all handled by Jake Crocker who lends his own gravitas, emotive touch and, when the mood calls for it, soulful exposition (see album highlight “A Day Like This”). Everything feels cohesive and natural between the producer and MC.

Manumission is certainly an overly-ambitious project, but impressively so. Through the act of overreaching, Ronnie Dylan captures the essence of his current relationship to hip-hop: he loves this shit, but he’s unhappy with much of it. Manumission is his own personal attempt to right the ship. If he happens to oversteer in the other direction, so be it. At least he’ll be known as an artist that took corrective action.

Stream Manumission below and download the album for free here.

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VIDEO: “People” – Sol (dir. by Noah Porter)

Sol and director Noah Porter released the video for “People,” one of two songs from the rapper’s mid-February double single release, “People/Pages.” This well-shot, dramatic clip finds Sol mired in an existential crisis of sorts, torn between a desire for solitude and human companionship.

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VIDEO: “Them” – Raz Simone (feat. Fatal Lucciauno)

On the eve of the release of Macklemore Privilege & Chief on Keef Violence — his second album of 2015 — Raz Simone drops the song and video “Them” which functions as the rapper’s own paean to a so-called “post-racial America.” Much of Raz’s output the past few weeks has been antithetical in nature, directly adhering to the titles of his last two albums, Cognitive Dissonance Parts 1 and 2.

Is “Them” meant to diffuse some of the incendiary power balled up in the word “nigger?” Or is the track meant to illustrate the exact opposite: to upbraid the word’s usage among those to whom it was never intended to be directed? Perhaps it’s a little of both. In either case, Raz, Fatal Lucciauno and a marching, armed mass of children dressed in black pose a formidable affront to the sometimes milquetoast Seattle rap landscape.

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AUDIO: “America, The Funeral (Part One)” – RA Scion & Indica Jones

RA Scion & Indica Jones

We are in a new era of protest: wars with nebulous “enemies” rage persistently in high-definition, immediately visible to anyone with a wi-fi enabled device; state-sanctioned murder of America’s own citizens in broad-ass daylight, brought to you in easily digestible packets of corporate-sponsored news.

RA Scion — call him Seattle hip-hop’s best answer to Pete Seeger — remains a dissenting voice above the fray. Operating with the same social spirit as other Town MCs like Gabriel Teodros and Prometheus Brown, Ryan Abeo’s lyrical approach is just this side of obtuse — if you’re not paying close attention, that is. Recently, he and producer Indica Jones let loose with a three-part movement called “America, The Funeral (Part One).” It loosely channels Vietnam-era protest music, albeit with breakbeats.

Welcome to the end of the rope.

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