DOWNLOAD: “Make Moves” – Helluvastate

Click image for D/L link

Helluvastate is Tay Sean (of the Cloud Nice crew) and TH (of State Of The Artist). Get hip now before your friends do. This joint is dope and you can expect the entire mixtape to be, too. I can’t say any more than the homie Joe Gustav (of Posted In The Parking Lot and SSG Music) said in his excellent piece on SSG. Get with that here. And get with the free single by downloading below.

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206UP.COM’s Top 10 SEA Hip-Hop Albums of 2010

As a hip-hop and baseball obsessed youth, I constantly formulated Top 10 Lists. Athletes, shoes, songs, movies — if it was rate-able, I was Top 10’in it, practically weekly. This is probably why 206UP.COM’s year-end list is my favorite post to write. Last year I waxed not-so-poetically on how, in 2005, Seattle’s underground rap scene single-handedly renewed my faith in the music. This year my affinity for Town rap became even tighter knit.

The albums, songs, free downloads, and videos that originated strictly in Seattle were enough to keep my hip-hop appetite satisfied through the whole year. Not to say excellent new albums by nationally known artists (Big Boi, The Roots, Kanye West, etc.) weren’t heavy on my playlist, or that the underground movements in other cities weren’t relevant. It’s just that hip-hop in the 2-0-6 is so grown now, more than it’s ever been, and the voices, perspectives and spectrum of sounds in our Town are talented and diverse enough to keep my ears fully attuned.

While there were some glaring omissions in 2010 (the new Physics LP being the most significant, for me), there were some other big advancements and unexpected surprises:

The emergence of La (formerly known as Language Arts) as a force to be reckoned with (at least on wax). This cat blew through like a Northeaster on his two LP’s, Gravity and Roll With The Winners, spitting outlandish braggadocio unlike any other rapper in town.

Two career-defining performances by Blue Scholars. The first was at the Bowery Ballroom in New York City, which I wrote about, here. At this show, the Scholars proved to the hip-hop world that they could hang in the Mecca, legitimizing their voice on a whole new level. (Macklemore’s opening performance was definitely notable, too.) The other show folks were buzzing about was the City Arts music festival performance at The Paramount, the first time a local hip-hop group rocked the venerable theater’s stage. Blue Scholars made history, nationally and locally, with these two shows.

This year also saw artists better known for their previously established collaborative endeavors break out with successful new excursions. JFK and Onry Ozzborn both dropped excellent LP’s independent of their legendary Grayskul partnership — JFK on the straight-up solo tip and Onry Ozzborn in collaboration with Chi-town producer Zavala. RA Scion reinvented himself with his Victor Shade project with producer MTK. And Gabriel Teodros and Amos Miller connected in Brooklyn, forming the impromptu collab Air 2 A Bird after being rebuffed in London on the eve of their world tour.

But enough with the recap. The following list represents what 206UP.COM sees as the best Seattle hip-hop albums of the year. There was no real science to compiling the list and, when it comes down to it, these things are matters of pure conjecture, subject to debate and relentless criticism of the people who made them (which this blog always welcomes, by the way). Enjoy the list and Happy New Year!

Honorable mentions:

JFK – Building Wings on the Way Down
LaRue – Saturn Returns
Avatar Young Blaze – Russian Revolution Mixtape

10. State of the Artist – SeattleCaliFragilisticExtraHellaDopeness

The album equivalent of a 2-0-6 hip-hop houseparty, by design SeattleCal wasn’t exactly an official debut LP for State of the Artist, but a showcase for much of the talent in the city. The three SOTA emcees were consistently outshone by their guests and a lot of times the lyrics didn’t seem to make any sense. As strictly a party album, however, there wasn’t one better.

9. Victor Shade – Victor Shade

The re-birth of RA Scion as the rap superhero Victor Shade saw a major shift in musical tone, but not a dramatic change in delivery or aesthetic. RA’s lyrics are still dense as hell and require close examination on paper in order to understand their meaning. It all sounded great, however, over MTK’s knocking production. RA Scion (aka. Victor Shade) remains the most professorial battle rapper in Seattle.

8. Air 2 A Bird – Crow Hill

A soaring achievement considering the bare-bones tools Air 2 A Bird (Gabriel Teodros and Amos Miller) had to work with when making this album in Brooklyn. In its creation, Crow Hill captured the very essence of hip-hop: eloquent poetics, masterful improvisation and a revolutionary spirit  (albeit on a quieter and more reserved scale). This album proves that hip-hop executed with class and panache can be just as effective as the bombastic variety.

7. La – Roll With The Winners

This “debut” album from the emcee formerly known as “Language Arts” featured expert throwback production by an unknown producer named Blu-Ray, whose heavy soul sampling sounds like The Alchemist on his most nostalgic day. The highlight, though, was La’s take-no-prisoners lyrical work. Hearing raw talent like this is akin to watching Allen Iverson play basketball for the first time. At this stage in his career La is still all fearless potential, but on paper he might already be the most technically sound rapper in the city.

6. Helladope – Helladope (aka Return to Planet Rock)

Helladope’s Tay Sean is far too young a cat to be making music with this much soul and expert tribute to the R&B and funk of yesteryear. Still, he accomplished the feat with ease. Along with emcee/vocalist Jerm, Helladope’s debut album offers a fresh take on the P-funk/G-funk rap amalgamation that originated in Southern California in the early 90’s. The sound is updated here with extraterrestrial gimmickry that amuses but isn’t essential to the album’s vibe.

5. J. Pinder – Code Red EP

This star-studded EP by Seattle ex-pat J. Pinder had a professional sheen equal to most major label releases. And it was free, to boot. Unsurprisingly, the folks who built the foundation of Code Red are either consummate hip-hop professionals or quickly on their way: Vitamin D, Jake One and Kuddie Fresh, among others. Pinder’s easy flow and accessible subject matter made this album easy to ride for.

4. Dark Time Sunshine – Vessel

Vessel exists in the same category as the number two album on this list, The Stimulus Package. The lyrical work is quintessential Onry Ozzborn (here reborn as Cape Cowen) but the production is a masterful concoction of headphone-oriented beats that only a cold soul from Chicago could assemble. Producer Zavala cultivates a terrain of rich electronica that feels organic, as if grown and harvested with the precision of robot farmers. The most sonically progressive SEA hip-hop album this side of Shabazz Palaces’ 2009 masterpiece.

3. Jake One & Freeway – The Stimulus Package

At first consideration it seemed strange to include this release featuring an emcee so deeply associated with the city of Philadelphia. Fifty percent of the album artist credit is from Seattle though so how could it be excluded? The obvious truth is Jake One had as much (if not more) to do with the quality of The Stimulus Package as Freeway. Jake has a knack for creating fresh ideas while staying inside the bounds of traditional boom-bap. Stimulus is his best and most cohesive collection of beats, ever.

2. Candidt – Sweatsuit & Churchshoes

Candidt’s long-delayed Sweatsuit & Churchshoes is a refreshing and dynamic package of West Coast B-boy rap. Every local young buck in the game should take this album as the new hip-hop gospel for the way it connects Old School and New. Candidt doesn’t sound like anyone else in the city and his willingness to experiment with new sounds while keeping strict West Coast principles earns SS&CS major props.

1. Def Dee & La (fka. Language Arts) – Gravity

Producer Def Dee caught lightning in a bottle with his masterful production work on this album. Gravity pays direct tribute to NYC Golden Era boom-bap and is unapologetic in its revivalist ideology. It also manages to sound fresh and timeless, however, and is the most musically cohesive album of these ten. Emcee La officially established himself as one of the best rappers in the city. He plays it cooler than on his proper solo debut, Roll With The Winners, but that’s because the music requires him to. Gravity stands firmly to the side of Seattle’s so-called “Third Wave hip-hop,” a position that’s especially important to the purist set. All the current innovation in local rap is a great thing, but so is the creation of more traditional forms like Gravity. It reminds everyone that hip-hop made in our isolated corner of the map is inextricably linked to the region of its genesis.

Album Reviews Best of 2010

SHOW: Helladope @ Nectar Lounge on 3.12.10

Here’s a not-so-bold prediction for Seattle hip-hop: The first half of 2010 will belong to Tay Sean and Jerm, the Beacon Hill duo that comprise Helladope, the spaced-out hip-hop/funk crew that had even the shyest of wallflowers acting the fool with their 2009 track, “Just So You Know”.

(Click here to continue reading at Seattle Show Gal…)

Live Coverage

REVIEW: They LA Soul (Mash Hall)

The truth is, I’m an eighties baby who is a sucker for any nostalgia-inducing music that reminds me of my formative adolescent years. So when a group like They Live! Mash Hall enters the scene, late eighties to mid-nineties pop culture references flying, I’m immediately taken. Show me a group that can borrow snippets from Jodeci’s Diary of a Mad Band (mind you, not even that r&b group’s career-defining record), cultivate the awesomeness and unintentional comedy of the foursome’s bad-boy loverman antics into hip-hop party music gold, and then sign me up.

They Live!’s Mash Hall’s full-length debut, They LA Soul (released for free download on 12.24.09 via the band’s blog) works that party magic. It’s a collage of many things eighties-nineties: Die Hard, Stevie Wonder, Total Recall, Shai, and New Edition are all given stage time via brief audio samples, the visual equivalent of which would be rapid flashes of ADHD-inducing klieg lights. The whole organized mess is then spray-painted with basic hip-hop treatment in the form of 808 kick drums, high hats and hand claps. And it’s all narrated with an intelligent stoner’s hazy wit by emcees Bruce Illest (who sometimes sounds a little like 50 Cent — if 50 were white, way more stoned, and significantly less menacing) and Gatsby, whose assertive West Coast style exists somewhere between the unapologetic party-rocking antics of Sir-Mix-A-Lot and the confident street sensibilities of Ice Cube. They’re a bit of an odd couple, but that’s why it works.

The production here isn’t completely based on sample mash-ups, but it comes close. Most tracks are built around familiar blasts of audio that are immediately recognizable to anyone who remembers awkwardly dancing in middle school to songs like Shai’s “If I Ever Fall in Love” (heavily featured on “Serve You”), The Brotherhood Creed’s “Helluva” (here reimagined as an ode to West Coast diction, “Hella Hella”), and New Edition’s “If it Isn’t Love” (on “Can You Stand the Reign”, where They Live! Mash Hall uses a familiar section of the source material’s synthesized drum pattern to similar, and thus ironic, rhythmic effect). The best track is “Up Early In Em”, a bare-bones drum and bass posse cut (featuring Tay Sean, Spaceman and Ronnie Voice) about being on your daily grind.

They LA Soul is a charming, catchy proposition because it reminds us that the very first hip-hop dance parties originated as massive collaborative endeavors, the music invented basically on the fly by turntablists who practiced a pure and free-wheeling extraneous form of musicianship. Or, maybe that’s digging a little deeper than the members of They Live! Mash Hall intended. Could be, Bruce Illest and Gatsby just want us to drink a little, smoke a little, find some shorties who remind us of the Fly Girls, and wild the f*ck out. Yeah, pretty sure that’s what this record is all about.

Album Reviews Downloads

GMK’s Winter in Cali

GMK’s Songs For Bloggers was proof positive that this young rapper is also a talented-beyond-his-years producer. In the same vein as Tay Sean, futuristic hip-hop with a funk bent is on the right track in Seattle as long as it stays in the hands of these two artists.

Listen to GMK’s new song, “Show You” (featuring Young Murph and Choice) here. The Golden Mic King has (temporarily?) relocated to California, and it shows. This track has Cali sunshine and beach sand all over it. A warm treat for those of us stuck in the doldrums of a Northwest (and Northeast) winter.

Downloads

Cloud Nice: Taking Over In the ’10?

New Year’s Eve prediction #1: In 2010, hip-hop in Seattle will be ruled by two entities — rap veterans The Physics and the (relatively) new-school Cloud Nice collective. (Thig, Monk, and Justo just need to get that sophomore full-length out pronto to claim their spot!)

Tay Sean and company have already done an excellent job of keeping it moving with a series of free leak, mixtape, and EP drops, with no real prominent LP release. That will change in early 2010, with Helladope’s already highly-lauded Return to Planet Rock. There’s gotta be something in the air up on Beacon that’s causing all of this dopeness. (Come to think of it, the cause of the dopeness might actually be dope — but whatever.)

Cloud Nice is positioned to take over hip-hop in The Six with their brand of futuristic, highly-danceable northwest-coast g-funk. Tay Sean’s production is simple enough to appeal to the young kids, yet advanced and clever enough (musically that is) for older heads to appreciate. If TS were an NBA player, he’d be Chris Paul: playground flashiness combined with a heavy dose of old-school fundamentals.

Here’s the latest from CN’s Beacon Hill lookout, a brief six-track EP from Mister Mikey Nice called Chillin’ In the Future. Click on the album cover below for the DL link.

(A quick note on my download posts: one of my few rules for linking to these downloads is that I absolutely must listen to the material, preferably a minimum of two times, before I comment or post on it. I hold to this philosophy because the whole point of 206up.com is to provide thoughtful commentary and criticism on the music. And how can I do that if I haven’t actually heard the ish? Anyway, my point is, I’m trying not to get caught up with being the fastest blogger [I don’t have time for that anyway] or the most exclusive — though I do appreciate being included on artists’ email lists with the more venerable local bloggers. Anyway, that’s all. Just wanted to share.)

Downloads Views From the Peanut Gallery

Even at 17 Tay Sean Was Helladope

From a week ago on Cloud Nice:

"Straight, No Chaser" (Pleks Two aka Tay Sean of Cloud Nice)

Download for free here. It’s a nice little beat tape that Pleks Two (today known as Tay Sean) put together at age 17. His production most closely resembles Cali G-funk but with a Nice little Northwest twist (I’m not even sure what that means, so don’t ask me to elaborate).

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Cloudy With A Chance of Nice

Tay Sean

Well, one thing’s for certain: Tay Sean got beats, son! Here are two more TS raindrops precipitated straight from the Cloud Nice factory.

Tay Sean’s production is definitively modern/futuristic and instantly accessible (read: it pleases the ear from the get-go). Best part is, he doesn’t do it at the expense of intelligence (read: good lyrics + interesting soundscapes = music with staying power).

We need a Cloud Nice compilation mixtape, pronto!

Downloads

The Good Sin Makes Sexy Time

"Turn You On" (The Good Sin)

Usually hearing crickets on a track (or in the audience) is a bad thing. Not here on The Good Sin’s, “Turn You On” (featuring TH, JusMoni and Tay Sean), the latest from the Cloud Nice camp.

It’s another sex joint, which usually translates to boring-as-hell, for me. This one’s catchy though. The crickets are used to signify night time, which is used to signify sexy time, which is amplified by JusMoni’s inviting vocals. It’s aiight and it’s free, so get it in here.

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