Today continues 206UP.COM’s countdown of the Top 10 Seattle Hip-Hop Albums of 2011. See yesterday’s post for the Introduction and three standout releases that didn’t quite make the cut. Today’s post features albums 10 through 6. Tomorrow (Thursday, 12.22.11) we’ll post 5 through 1. Thanks for reading!

(Click on the album covers for links to download or purchase.)


10. Dyme Def – Yuk The World

Here we have the trio of Brainstorm, S.E.V. and Fearce Villain behaving in the way we’re accustomed: Mixing top-shelf brag rap with sobering tales about growing up hard in the South End. It’s been over four years since Space Music, the area’s official introduction to the Three Bad Brothas from Renton. Since then, the crew has been missing a key component to their hustle: The production of BeanOne, whose lively trunk rattle serves as the perfect delivery vehicle for the three MCs’ sharp witticisms. Thankfully Bean is back here, providing the majority of the framework in which Dyme Def gets busy. One complaint: Yuk The World is too long, but that’s only because Dyme Def’s real voice hasn’t been heard in some time. Consider this a year-ending takeover attempt by one of the SEA’s most important groups in history.


9. Nacho Picasso – For The Glory

Emerging from a Cloud (Nice, that is) of weed smoke and comic book sound effects is Nacho Picasso. Even blazed-up and squinty-eyed this dude is more clever than your average MC, dropping punchlines quippy enough to win the affection of both your girlfriend and high-brow music publications. For The Glory‘s arrival on the scene correlates perfectly with the sonic trends going on in the greater rap arena. Production duties were handled by Blue Sky Black Death, whose hazy take on the Cloud Rap aesthetic fits in nicely next to the genre’s currently favored albums. The star here is inarguably Nacho himself, though. Holding a Marvel comic book in one hand and a Dessert Eagle in the other, the man otherwise known as The Tat in the Hat is poised to introduce his specific branch of Seattle rap to the rest of the nation.


8. Art Vandelay – They’ve Got My Number Down At The Post Office

MC Ricky Pharoe and producer Mack Formway are Art Vandelay, an affiliate of the left-of-center Black Lab Productions camp. On They’ve Got My Number Down At The Post Office they question the honesty of our government, point shotguns at their televisions and generally wonder indignantly how anyone in their right mind could see worldly goings-on as anything but a degradation of all that is beautiful and just. “Art Vandelay” is a self-delusion perpetuated by Seinfeld‘s George Costanza — a lie in the form of a heroic archetype that helps George feel better about his otherwise mundane existence. Pharoe is calling us the liars on They’ve Got My Number: We’re fools to think for even a second that anything is all good. Oh well, at least when the world begins crumbling down around us we’ll have Art Vandelay’s soundtrack playing in the background, telling us so.


7. Onry Ozzborn – Hold on for Dear Life

I think Seattle forgets how great an MC Onry Ozzborn is. That’s probably because his creative output sneaks by in the same way his monotonic flow inserts subversive social commentary and unique turns-of-phrases into our collective unconscious. Last year’s Dark Time Sunshine project with Chicago producer Zavala was the region’s rap genius lurking in the proverbial shadows. DTS was the one laughing at silly rappers driving by in rented whips, the fakers’ who used their own beautiful sisters and cousins as stand-ins for video models too expensive for their shallow pocketbooks.

Onry might not be a rich man himself, but when it comes to industry respect he has an abundance. From a musical standpoint, Hold on for Dear Life was the most experimental release from the MC to date. It played in bright electronica, post-dubstep pop and the familiar gothic gloom specific to Onry’s infamous crew, Grayskul. If and when the Seattle hip-hop weather affects other regions on a greater scale, it will be OG MC’s like Onry Ozzborn casting the tell-tale Northwest cloud cover.


6. Prometheus Brown & Bambu – Walk into a Bar

What began on mostly a freebie lark ultimately turned into this 10-track for-profit album with some of the best production value around. Prometheus Brown (known traditionally to Seattle as Geo, of course) and Los Angeles’ Bambu pay homage to their island origination on Walk into a Bar which was released on Bambu’s label (Beatrock Music) and aimed squarely at the Hawaiian Islands, a favorite tour destination for the two MCs. As per standard, Geo and Bambu choose their words carefully always using them to uplift and inform rather than degrade and dispirit. “National Treasure,” for example, is important commentary on gender politics and features a beat from Vitamin D whose drums somehow always sound bigger than everyone else’s.

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